KajoMag

Disney+ Hotstar unveils its thrilling lineup of Korean content for 2024

After a successful 2023 marked by Korean originals Big Bet and Moving receiving numerous international awards, with Moving emerging as Disney+ Hotstar’s most-watched local original of the year, the streaming platform is set to continue its momentum.

Speaking on Feb 19 during the announcement of the lineup, Carol Choi, Executive Vice President, Original Content Strategy, The Walt Disney Company APAC, said: “The new Korean originals announced today really builds on the positive momentum and success of our APAC content slate last year. We will continue to scale our creative ambition with a curated collection of APAC originals, centered on quality storytelling and top talent, in collaboration with the region’s  most exciting storytellers.”

Here are seven shows you can look forward to from Disney+ Hotstar in 2024:

Blood Free:

Disney+ Hotstar unveils its thrilling lineup of Korean content for 2024

Starring Ju Jihoon (Kingdom) and Han Hyojoo (Moving), Blood Free follows a former bodyguard haunted by the failures of his past. After diving down a rabbit hole of tangled leads, he finds himself recruited to protect the CEO of a controversial lab-grown meat company who is also a survivor of the fateful attack that changed his life.

Unmasked:

Disney+ Hotstar unveils its thrilling lineup of Korean content for 2024

Set in modern-day Seoul, Unmasked follows a crack team of investigative journalists who are fighting for their careers after broadcasting a controversial story. With time running out, the team is given an impossible task if they want to save their jobs – solve a twenty-year-old cold case involving a famous actor who disappeared without a trace. Unmasked stars Kim Hyesoo (Under The Queen’s Umbrella).

The Tyrant:

Disney+ Hotstar unveils its thrilling lineup of Korean content for 2024

The Tyrant follows a U.S. government agent as he tries to recover a deadly new virus stolen from the South Korean government. With everything at stake, this action-packed series sees global intelligence agencies battle against nefarious parties to prevent the virus spreading across the world.

Gangnam B-Side:

A thrilling crime drama, Gangnam B-Side follows a pariah detective pulled back into the game after his daughter’s friend goes missing. The latest in a long line of women to go missing in the Gangnam area of Seoul, the detective will delve back into a world of vice, drugs and corruption to uncover something that threatens to topple some of the city’s wealthiest elite.

The Zone: Survival Mission – Season 3:

The popular Disney+ Korean variety has been renewed for its third season with Kwon Yuri and Yoo Jaesuk returning alongside new hosts – former UFC fighter Kim Donghyun and popular YouTuber Dex. Together, the foursome will get up to more hijinks than ever before as they try to survive an increasingly complex range of challenges.

Uncle Samsik:

Starring Parasite star Song Kangho, and Byun Yohan (Mr. Sunshine), Uncle Samsik is a societal drama set in 1960s Korea that follows an idealistic politician, and a mysterious political fixer called Uncle Samsik who operates in the shadows. Together the pair form an uneasy partnership with the goal of transforming a struggling post-war Korea into a prosperous country where everyone can afford three meals a day.

Light Shop:

Disney+ Hotstar unveils its thrilling lineup of Korean content for 2024

An adaptation of the hit webtoon of the same name, Light Shop follows a group of strangers, each struggling to come to terms with a traumatic event in their past. Going about their daily lives, each individual is mysteriously drawn to a light shop that sits at the end of a seedy alleyway. Guarded by a vigilant shopkeeper, the light shop could hold the key to the strangers’ pasts, presents and futures.

Starring Ju Jihoon (Kingdom), Lee Jungeun (Parasite), Park Boyung (Oh My Ghost), and Bae Seongwoo (Veteran), today’s sizzle gave the first look at this eagerly anticipated new series from Kangfull, the visionary behind 2023’s breakout hit series Moving.

With even more local titles set to be announced in the weeks and months to come, be sure to stay tuned to Disney+ Hotstar for more captivating Korean content.

NKF Malaysia launches VoKAL at the 16th Annual Patient Forum

VoKAL serves as an official platform to elevate voices and transform policies for better kidney care in Malaysia

Kuching Sarawak, 1 October 2023 –  The National Kidney Foundation (“NKF”) of Malaysia held its 16th Annual Patient Forum 2023 in Kuching on October 1. Since 2003, the forum has been dedicated to serving kidney patients, their caregivers, and personnel from government, private, and NGO dialysis centres.

“I would like to express my gratitude to the National Kidney Foundation of Malaysia for their efforts in choosing Kuching as the location for their 16th forum. Their decision to subsidise registration costs is commendable, as it paves the way for greater public participation, allowing a wider audience to partake in this valuable event,” said Dato’ Sri Professor Dr. Sim Kui Hian, Deputy Premier, of Sarawak and Minister For Public Health, Housing And Local Government.

“NKF has been championing the fight against kidney-associated diseases through improving kidney care and preventive education. Recognising the need for support among kidney patients, this forum provides a convenient platform for patients to access essential information and advice,” said Dato’ Dr Zaki Morad Mohd Zaher, Chairman of NKF Malaysia.NKF Malaysia launches VoKAL at the 16th Annual Patient Forum

NKF Malaysia launches VoKAL at the 16th Annual Patient Forum

In conjunction with Patient Forum 2023, NKF also launched VoKAL (Voice-out Kidney Alliance), a nationwide kidney support group. VoKAL serves as an official platform for patients, caregivers, donors, service providers, and healthcare professionals to express their thoughts and concerns regarding kidney-related matters.

The primary purpose of VoKAL is to operate as an advocacy and advisory body, amplifying voices through support, advocacy campaigns, and activities that result in substantial contributions to kidney care in Malaysia. Its goal is to serve the community by providing a venue for formal recommendations to government and policymakers. These proposals address critical issues such as improving affordability and expanding access to quality treatments for kidney disease; protecting living donor rights, and removing barriers to organ donation; championing patient’s rights and empowerment; as well as supporting policy changes that can reduce the risks of kidney diseases.

NKF Malaysia invites all patients and interested parties to join VoKAL today and be the change of our kidney community needs. Your voice matters in shaping policies for better kidney care in Malaysia. Raise your voice at https://vokal.nkf.org.my/

CARSOME expands operations in Sarawak

KUCHING, Sarawak, 22 October 2022 – Southeast Asia’s largest integrated car e-commerce platform, CARSOME, has officially expanded its operations to East Malaysia with the launch of four new inspection centers in Sarawak. This expansion sees CARSOME introducing a new standard of selling cars to East Malaysians and providing them with a trusted and transparent option.

CARSOME expands operations in Sarawak

The inspection centers aim to offer customers a differentiated and hassle-free car-selling experience, through fast payment and worry-free transaction process. Guided by a stringent inspection procedure, every CARSOME Inspection Center will have a skilled professional inspector to conduct comprehensive inspection on the car, to ensure its quality is accounted for to offer the best price in the market.

CARSOME Co-Founder & CARSOME Academy CEO, Teoh Jiun Ee said the expansion to East Malaysia is part of CARSOME’s ongoing mission to solve customers’ pain points, thereby providing Malaysians peace of mind throughout their car selling journey. “The presence of CARSOME in East Malaysia marks a significant and positive milestone for us. Our motivation is to make CARSOME services accessible to all Malaysians as we continue to innovate the used car ecosystem, driven by data and technology.”

With the launch of four new inspection centers in Sarawak – Kuching, Sibu, Miri and Bintulu CARSOME now has 49 inspection centers across Malaysia. Leveraging proprietary data and pricing algorithms, CARSOME ensures fair pricing can be determined for every car, underlining its goal to create a trusted and transparent used car ecosystem. Aside from pricing offered by CARSOME, customers can also opt for its e-bidding platform, to get different price offers from its nationwide network of used car dealers.

The launch of the new CARSOME Inspection Center at Kuching was officiated by Sarawak Deputy Premier, Second Minister for Finance and New Economy and Minister for Infrastructure and Port Development Sarawak, Yang Berhormat Datuk Amar Douglas Uggah Embas.

CARSOME expands operations in Sarawak

Deputy Premier Datuk Amar Douglas Uggah Embas said CARSOME’s expansion to Sarawak comes at a critical time given that the country is in a recovery phase from the pandemic.

“I believe that CARSOME’s technology driven business model will complement our goal which is to improve the standard of living, grow our economy to provide business and job opportunities and train our people to be resourceful and increase their income level. This is in tandem with the Sarawak government’s plan in implementing its Post-COVID-19 Development Strategy 2030 (PCDS 2030) where its people will enjoy economic prosperity driven by data and innovation.”

CARSOME will be supporting used car dealers in digitalizing their operations and ecosystem by introducing its E-bidding Platform and Dealer Financing Program and providing end-to-end support for dealers. By bringing its proprietary technology and software innovation, CARSOME aims to empower used car dealers to seamlessly tap into new trends through digitalization.

In addition, CARSOME hopes through its expansion that it will help stimulate the economy and drive greater growth for the used car market. To do this, CARSOME will create new sales and growth opportunities for used car dealers by establishing partnership deals, while offering bonus rewards and credit lines for long-term business sustainability.  

The inspection centers in Sarawak will serve as among the next steps forward in CARSOME’s growth plans, strengthening its already established footprint in Malaysia. A series of marketing initiatives will also take place in Sarawak offering various promotions for consumers to experience the new standard of selling their cars through CARSOME.  

For more information on CARSOME upcoming promotions in Sarawak, please visit CARSOME website.

About CARSOME

CARSOME is Southeast Asia’s largest integrated car e-commerce platform. With operations across Malaysia, Indonesia, Thailand and Singapore, CARSOME aims to digitize the region’s used car industry by reshaping and elevating the car transaction and ownership experience.

Together with subsidiary brands iCar Asia, WapCar and CarTimes, CARSOME provides end-to-end solutions to consumers and used car dealers across the decision funnel, from car content consumption, car inspection, ownership transfer to financing and other ancillary services, promising to bring trust, transparency and choice  to our customers. CARSOME currently has more than 4,000 employees across all its offices in Asia.

Watch Borneo Jazz Festival 2021 free this weekend

Watch Borneo Jazz Festival 2021 free this weekend
Pete Kallang, Clinton Jerome Chua and Nisa Addina are among the Sarawakian artistes performing during this weekend’s BJF!

Get ready for tonight because the Borneo Jazz Festival Virtual Journey will be starting this 25-27 June 2021 from 6pm to 7.30pm!

BJF 2021 will be a combination of flashbacks to past musical acts that performed at BJF as well as original pre-recorded sessions and interviews with renowned jazz musicians from Sarawak and around the world.

Viewers will be serenaded by a string of jazz musicians including Clinton Jerome Chua, O-Ha Soul Band, Nisa Addina, Borneo Jazz Talent Search 2018 winner Ta’Dan and the “Prince of Borneo” himself – Pete Kallang.

Meanwhile, the BJF2021 Virtual Journey will also feature exclusive interviews with Singapore’s ‘King of Swing’ and Asia’s Jazz Superstar Jeremy Monteiro; Dave Brewer of Dave and the Doodaddies; and John Hammond.

“Covid-19 has shown us how important digital and social media has been for artists to reach out to their audiences and maintain their fan-following throughout the pandemic. After more than a year of watching the international entertainment industry, among others, innovate on how to reach out to their target groups, we look forward to seeing fans and new audiences embrace the Borneo Jazz Festival 2021 Virtual Journey,” said Sarawak Tourism Board CEO Sharzede Datu Hj Salleh Askor.

“With the BJF 2021 now bringing the Virtual Journey into people’s homes through the Borneo Jazz Festival platform, TVS and Shopee Live there could be more new audiences and jazz lovers locally and from around the world,” she said.

How do I watch it?

Borneo Jazz Festival Virtual Journey 2021
Watch out for O-Ha Soul Band and Ta’Dan!

Through the virtual platform on www.jazzborneo.com, viewers can watch the performances, interviews and flashbacks as well as engage in conversation with other online users throughout the 90-minute events.

Borneo Jazz Festival (BJF) will be viewable on www.jazzborneo.com, TVS and on Shopee Live.

Registrants to the BJF platform will be eligible for the contest giveaways to be held during the virtual events, where you can win free tickets to next year’s festivals, discounts to selected hotels, event merchandise and much more.

Viewers can also enjoy the show on TVS, Sarawak’s very own tv station on Astro (Channel 122) and BJF’s Official Broadcast Partner.

Grab is the Official Delivery Partner for BJF. Those who register and access the musical events on www.jazzborneo.com will be able to order food and receive discounts with a special promo code.

With Shopee named as the Official E-commerce Partner, the virtual experience will also be streamed via Shopee Live, giving access to millions of households across the country to enjoy the showcase from the comforts of their own homes.

Sarawak Tourism Board has opened an official store on Shopee to feature merchandise from BJF. This includes BJF Limited Edition T-shirts, Limited Edition Batik Linut Face Mask, Limited Edition Printed Batik Face Mask, and other attractive products.

To get Limited Edition BJF merchandise, visit https://shopee.com.my/placeborneosdnbhd

Watch Borneo Jazz Festival 2021 free this weekend

“The Renaissance”: A fitting tribute for returning K-pop titans Super Junior

By Geryl Ogilvy

Super Junior’s latest album “The Renaissance”, released in March after several delays, could not have come at a better time as the K-pop legend celebrates its 15th anniversary.

The 10th full-length album also marked the first that all active members have returned to the group fondly known as SJ or SuJu, especially considering that all members had served South Korea’s mandatory military service.

In South Korea’s tough music environment, where the industry churns out new acts and idols each year, swallowing older groups and artistes, Super Junior has traversed genres, continuing to attract new fans across the globe, maintaining dominance and withstand many others in K-pop history.

No doubt Super Junior, consisting group leader Leeteuk, Heechul, Yesung, Shindong, Eunhyuk, Donghae, Siwon, Ryeowook and Kyuhyun, the group’s “maknae”, are the industry’s veterans, yet they continue to reinvent themselves, appealing to new generation of fans.

They have also been dubbed by the media as the “King of Hallyu Wave” due to their prominent contribution in the Korean pop culture wave.

Renaissance, which means rebirth in French, a revival or renewed interest, is definitely a befitting choice to name their latest album to mark a new era and reintroduced the group to the global K-pop fandom.

The Renaissance

Despite all the hype for a new beginning, Super Junior actually kicked off the new album promo last year with the remake of “Raining Spell for Love” from its 2014 album “Mamacita”, following votes from its fandom, which Leeteuk coined as ELF or “Everlasting friends”.

The group also admitted “Raining Spell for Love”, originally an R&B pop track that expressed a man’s heart after a break up, as one of their favourite. The voting topped the list for the “Song I want SuJu to do a remake of”, beating other strong contenders of hits such as “U”, “Miracle” and “Devil” among others.

The group, debuted on Nov 6, 2005, also released another track “The Melody” on the date to celebrate their 15th anniversary last year.

In December, the group debuted its first monster hit from The Renaissance with the opera-like ballad “Burn the Floor” in a medley of songs performance in The Fact Music Awards, where Super Junior also took home Artist of the Year, Popularity Award, Fan & Star Most Votes, and Fan & Star Choice Award.

The boys then dropped an epic performance in the music video for “Burn the Floor” to give fans a glimpse and feel of their grand return. The song talks about their passionate admiration for their respective lovers and likened the relationship to the sensual dance performance portrayed in the music video.

On March 16, the K-pop legends released current global hit “House Party” to commemorate the official album launch which has been postponed twice.

The song, which talks about life coping with the Covid-19 pandemic in a time where physical contact was taken for granted, has resonated with the audience for its relatable lyrics, with lines like: “Everyone is connected without any physical contact”, or “Let’s put aside our feelings of wanting to be together for a while”, where Super Junior invites their fandom to a virtual “House Party” amid the new norm.

The disco-pop melody of House Party also earned Super Junior an applause from WHO chief Dr Tedros Adhanom Ghebreyesus, who gave his nod to the band for reminding those impatient with the prolonged pandemic to maintain caution.

“Super Junior, you’re on point there. Indeed, we still need to maintain precautionary measures against Covid-19 to protect each other and control this pandemic. Thank you for reminding us through your music,” he tweeted.

Super Junior’s The Renaissance features a total of 10 tracks including “Super”, “Paradox”, “Closer”, “Mystery”, “More Days with You” and “Tell Me Baby”.

Super Junior – from K-pop supergroup to legend status

It’s hard not to define Super Junior as the trailblazer of K-pop supergroup dominating the market today. At a time when most groups typically have five or less members, SuJu debuted with 12 members.

It is inevitable not to recognise the legendary status of Super Junior, which continues to stay relevant in the saturated K-pop market, especially in the past decade with the emergence of wildly popular groups such as Big Bang, EXO, Girls’ Generation, Monsta X and many others.

They are indeed the front runners, leading the way and opening paths to global stardom enjoyed by today’s generations of K-pop artistes, most notably BTS and Blackpink.

Throughout their 15-year career, the group has won many accolades and awards worldwide, topping charts in many countries including the famed Billboard charts on a couple occasion.

In the local front, Super Junior was the best selling K-pop artiste for four years in a row and has earned 13 awards from the prestigious Mnet Asian Music Awards, 19 from the Golden Disc Awards and won “Favourite Artist Korea” at the 2008 MTV Asia Awards.

In 2012, they were nominated for Best Asian Act in the MTV Europe Music Awards and won “International Artist” and “Best Fandom” at the 2015 Teen Choice Awards.

Super Junior started off with 12 members when their debut album, “Twins” was released. At the time, they were known as Super Junior 05.

Super Junior initially started as a rotational concept line-up, in which members would experience changes and replaced with new singers each year to keep the group young, fresh and all-rounded. However, the rotational concept was abandoned by SM Entertainment after adding Kyuhyun in the band in 2006. The group was renamed as Super Junior, without the suffix “05”.

When SM Entertainment started the boy band project, Han Geng was the first to be recruited in 2000 following an overseas casting in China. He auditioned against some 3,000 applicants.

That year, Leeteuk, Yesung and Eunhyuk were recruited after auditioning at the company’s annual casting system in Seoul. Sungmin and Donghae became trainees after jointly winning first place in an SM-sponsored contest in 2001, while Heechul and Kangin were recruited along with Kabim the following, where the latter was discovered in Los Angeles by a casting agent. Siwon became a trainee in 2003, followed by Shindong a year later. Ryeowook became a trainee after winning a singing competition just two months before the groups’ debut in 2005.

Han Geng left the group in 2011 following a contract dispute, while Kibum left in 2015 after his contract ended. Kangin left in 2019 and Sungmin has remained in hiatus since 2015.

Since their debut in 2005, Super Junior has produced 10 studio albums, two compilation albums, two EPs and numerous live recordings. So extravagant was their popularity, added with the boys’ talent in producing and writing their own music, members of Super Junior also have standalone releases through solo works or five subunits the group siphoned off at various points in their careers.

How “Sorry, Sorry” changed K-pop forever

https://twitter.com/SJofficial/status/1076991911825559553

Super Junior’s leap to global super stardom would come in 2009 with the release of their mega hit song “Sorry, Sorry”, which became the best-selling single of their career. “Sorry, Sorry”, which was also the name of the album, became the best selling album in South Korea for 2009 within a month after its release.

It also became the best-selling K-pop album in China, Taiwan, Thailand and The Philippines and with the album title track reaching number one in music charts at the respective country. “Sorry, Sorry” stayed number one for 10 consecutive weeks in South Korea and a record-breaking 37 weeks in Taiwan’s K-pop singles chart.

In terms of Hallyu history, many agreed that 2009 was an iconic year, an impactful era in terms of K-pop reaching global audiences. While PSY might have turned himself into a viral phenomenon in 2012 with the release of “Gangnam Style”, many argued that 2009 was the launch pad that made K-pop what it is today.

Nowadays, “Sorry, Sorry” is almost like a rite of passage for newer groups, where EXO, Seventeen, NCT and even BTS, Gfriend and Twice have covered the song.

The group’s follow-up album Bonamana, released in 2010, was top of the chart for 61 weeks in Taiwan.

The group also took part in SMTown Live ‘10 World Tour in Los Angeles, New York City, Paris and Tokyo along with other SM Entertainment artistes, performing outside Asia for the first time. Super Junior’s performances were well received by the media.

They were honoured as Korea’s National Pop Culture Icon for their role in spreading the Hallyu Wave. They were also featured in CNN’s Talk Asia programme, Mexico’s TV Azteca and even the BBC acknowledged Super Junior as the leading icon of the Hallyu effect.

Super Junior went on to receive various recognition worldwide, penetrating Europe, North and South America. The group was selected by Brazilian Hallyu fans as the number-one Korean music act they want to visit Brazil. A magazine in Peru even included all of the members in their top 30 ranked “The Sexiest Men in the World” list.

Super Junior’s global success continued with Mr. Simple (2011) and Sexy, Free & Single (2012). The group also successfully completed three Asia tours and a Super Show 4 world tour in 10 cities including Seoul, Osaka, Taipei, Singapore, Macau, Bangkok, Paris, Shanghai, Jakarta and Tokyo, gathering some 900,000 audiences.

Sexy, Free & Single ranked high on iTunes in several countries including Australia, France, Peru and Japan. It also ranked third on Billboard World Albums. Super Junior also embarked on another world tour, Super Show 5, covering Seoul, then China, Japan, South America, North America and Europe. The tour was also considered the largest K-pop tour in the South American market.

In 2014, Leeteuk and Heechul rejoined the group after serving the military for their seventh album Mamacita, which ranked number one on the Billboard World Albums chart. Super Junior embarked on another world tour and became the first K-pop group to perform 100 concerts worldwide.

In 2015, Yesung rejoined the group for a special album, Devil, which was released on July 16 and became the best-selling album for the week in the United World Charts. In November that year, Super Junior set up their own exclusive label management “Label SJ”, a collaboration with SM Entertainment for the members to manage and produced their own albums, group, subunits and individual activities.

The year also saw Eunhyuk, Donghae and Siwon enlisted in the military. The following year, Ryeowook began his military service followed by Kyuhyun in 2017.

In October 2017, Super Junior released the music video for their new single “One More Chance”, to mark the returning three members from their military service. The group announced the release of their eighth album, Play, on Nov 6 and released the music video Black Suit, as the lead single, which earned three million views in 24 hours.

The album was repackaged in 2018 and the music video of its lead single “Lo Siento” was released. The song, featuring American-born Hispanic singer Leslie Grace, debuted at number 13 on the Billboard Latin Digital Song Sales chart, making Super Junior the first K-pop artistes to be featured on this chart. “Lo Siento” also debuted at number two on the World Digital Song Sales chart.

Super Junior also released a special EP, One More Time, featuring Mexican band Reik. “One More Time” debuted at number 18 on the Latin Digital Song Sales chart and number 5 at the Latin Pop Digital Song Sales chart, as well as debut at number 4 on the World Digital Song Sales chart.

Super Junior became the first Korean act to enter the Latin Billboard charts twice.

In 2019, Super Junior scored another first in the South Korean music industry by becoming the first K-pop artistes to hold a solo concert in Jeddah.

On May 31 last year, as part of their 15th anniversary celebration, the group headlined an online live event concert organised by SM Entertainment which played to an audience of about 123,000 around the globe. The concert was held following of the cancellation of several concerts and super shows due to the Covid-19 pandemic.

Super Junior – Leeteuk (real name Park Jeong-su), Kim Heechul, Yesung (Kim Jong-woon), Shindong (Shin Dong-hee), Eunhyuk (Lee Hyuk-jae), Lee Donghae, Choi Siwon, Kim Ryeowook and Cho Kyuhyun – has definitely achieved an enviable status in K-pop.

11 entries shortlisted for HSL-NP design competition Langit

Picking the next best high-rise for Kuching city will be the Herculean task for the judges of ‘Langit’, a nationwide architecture competition organised by Hock Seng Lee (HSL), Next Phase (NP) and Malaysian Architecture Institute (PAM) Sarawak Chapter.

Out of 85 submissions from 112 registrations in total, the jury has shortlisted 11 entries. PAM Sarawak Chapter received 85 submissions out of  112 registrations  in  total, with almost  two-thirds  of its  entries from  outside  Sarawak, including  architecture firms in Kuala Lumpur and Sabah.

All entries are anonymous and only identified by a code number to ensure that judging is based only on merits.

Construction specialist, HSL, in collaboration with Next Phase, has also included six additional entries to be part of the free public exhibition at La Promenade Mall.

“The competition gives architects and the developer the opportunity to create the next best commercial high-rise in Malaysia. There has never ever been such a design competition before in east Malaysia. The project sponsors, HSL-NP, will get a great design for this strategic piece of land. More importantly. the people of Kuching will get a great building with some of the best design considerations put in. This is a big advancement for both architecture and real estate development,” said PAM Sarawak chairman Chai Si Yong, who is the competition convener.

The shortlisted entries range from 11 to 39 stories high. They include retail showcases, innovative home- offices and truly world-class serviced condominiums.

“The shortlist are the ones that are customised for the site. They are not generic buildings. They fit their site context. Almost all also offer very well-thought out public spaces. By and large, they are not the kind of development with a guardhouse in front, keeping the public out. Langit must be a building that offers community enhancement. Inner city living is important. Jobs, schools and even good public parks tend to be in the inner city,” said Yu Ji, a representative from competition promoters Hock Seng Lee and Next Phase.

Besides civic consideration and designs with good public spaces, other jury considerations include sustainable design, lessons learnt from Covid-19, and the economic feasibility of the designs.

HSL held this competition because the Group wants to reaffirm its status as a professional-led construction firm, which intends to build Kuching’s next icon.

“The competition will complement our existing projects, and is a signpost of where we want to be in a few years. We want to have the best ideas right from the start. For each of our current real estate projects, we try to make sure there is something outstanding. For La Promenade, it’s to be the best gated community. For Samariang Aman 3, it’s to be one of the most affordable while also making sure we can offer well planned open spaces. For Vista Industrial Park, we’ve started Sarawak’s first Rent-to-own scheme for entrepreneurs,” said Yu Ji, who is also the director of Next Phase.

Where is the future high-rise in Kuching going to be?

The site is a challenging and small 0.78acre at Jalan Tabuan, opposite the Inland Revenue Tax Academy.

It is near Kuching’s central business district areas, a stone-throw from Reservoir Park, the Kuching South City Council and some of Sarawak’s best performing schools. It is also within a kilometer to The Spring Shopping Mall and Sarawak Club.

11 entries shortlisted for HSL-NP design competition Langit

The project is named Langit because, in Bahasa Sarawak, ‘Lang’ means door, while in Malay, ‘Langit’ is the sky.

Langit’s results announcement and prize presentation (cash prizes for the competition total RM200,000) is scheduled for late June.

“A good design will mean sunpath, window placement, cross ventilation and natural lighting will be built better. Quality of life is better. Projects can actually become cheaper. Efficiency is higher. We want to try to build something that will be a relevant many years and decades from now. The best ideas are timeless,” added Yu JI, who will also be one of the five jurors for the competition.

For more info on the design competition ‘Langit’, log on to langitkch.com, hsl.com.my or search #langitkch and @hslcn on social media.







Recycle a MAGGI® Hot Cup, get another one free!

MAGGI® has created the MAGGI®Hot Cup Recycling Bin – shaped like a giant MAGGI® Hot Cup and made from more than 3,000 recycled MAGGI® Hot Cups as part of MAGGI®’s efforts to reduce waste and encourage recycling in Malaysia.

These recycling bins will be conveniently placed at selected retail outlets and at MAGGI® roadshows so that consumers can easily recycle their used MAGGI® Hot Cup containers. Upon recycling one clean MAGGI® Hot Cup container at these recycling bins, consumers will each receive one free MAGGI® Hot Cup in return. MAGGI® will be working with Upcycle Shack to collect back the used Hot Cups to upcycle them to produce more recycling bins

Nestlé Malaysia Sustainability Initiative 

As part of global efforts to tackle the plastic waste crisis, Nestlé, the world’s largest food and beverage company, declared its global commitments to a waste-free future in 2019, including making all of its packaging recyclable or reusable by 2025.

On-Pack Recycling Guide Box

  • In 2020, Nestlé Malaysia introduced a harmonized recycling labelling system on all Nestlé product packaging to better educate and encourage Malaysians to responsibly dispose their Nestlé product packaging post-consumption.
  • The on-pack Recycling Guide Box uses simple illustrations to inform consumers on the recyclability of each component in the product packaging, as well as which bin each component belongs to. The labelling system also tells consumers when a certain component is not recyclable, so that they would be able to separate the trash from the recyclable materials easily.
    • Nestlé Malaysia is targeting to incorporate the Recycling Guide Box in at least 80% of all Nestlé recyclable packaging by 2021, with the objective to reach 100% in 2022.

MAGGI®’s annual Jom Masak & Menang Bersama contest is back!

The soul of Gawai Dayak is that of family and heritage, enjoyed over a spread of home-cooked local delicacies and favourites. For MAGGI®, it has always been a privilege to hold a special place in the Sarawakian kitchen, whether it’s for everyday cooking or special dishes lovingly prepared during festive seasons.

At the core of the Gawai Dayak harvest festival lies the story of patience, diligence and hard work. While the unprecedented COVID-19 pandemic has changed the dynamics of how we live and celebrate these special occasions with our loved ones, MAGGI® hopes to continue to support and be an everyday ally to the people of Sarawak during these challenging times,” says Geetha Balakrishna, Business Executive Officer, MAGGI®, Nestlé (Malaysia) Berhad.

To kick off the Gawai Dayak celebrations and add some festive cheer this year, MAGGI® will pay special tribute to healthcare and frontline heroes across Sarawak & Sabah by donating 20,000  MAGGI® Hot Cups via Malaysian Red Crescent in May 2021.

“This small gesture of appreciation on our part is our way of saying thank you to our healthcare and frontline heroes for their courage, selflessness, and dedication in helping the nation battle against COVID-19. We also hope to bring a little cheer to everyone with the return of our annual Jom Masak & Menang Bersama contest,” says Geetha.

MAGGI Jom Masak dan Menang Bersama
From second left: Lee Tsuen Fu (General Sales Operation Manager, Nestle), Siaw Siew Tiong (Division Head, eMart).

How to participate in MAGGI®‘s Jom Masak & Menang Bersama contest

This year, the MAGGI® Jom Masak & Menang Bersama contest will start on May 1 and end on June 30, 2021. Participants stand the chance to win RM135,000 worth of prizes including the grand prize – a Mitsubishi Triton 4WD, cash prizes and Tefal woks – as part of the weekly giveaways throughout the contest period.

Prizes include:

  • Grand Prize: 1 x Mitsubishi Triton (4WD) – Worth RM 106,000
  • First Place Prizes: 8 x RM 2,000 Cash Prizes
  • Weekly Prizes: 9 weeks x 9 x Tefal Wok – Worth RM 169 each

How to participate:

To participate, consumers simply have to purchase participating MAGGI® products, and submit the entry and their contact details in one of two ways:

  1. Via WhatsApp: Include name and MyKad No. on the original receipt as proof of purchase, snap a photo and send the photo via WhatsApp to 018-388 2921.
  2. Via Mail / Contest Drop Box: Fill in the entry form with the required details and send the form together with the proof of purchase (to be inserted in an envelope) to the P.O. Box address or contest drop box.

For more information on the MAGGI® Jom Masak & Menang Bersama contest and other campaign deals, visit the MAGGI® website: www.maggi.my or follow us on Facebook: www.facebook.com/MaggiMalaysia.


4 Marvelous K-Dramas to watch out for on Netflix this May

Now that we’re entering the final stretch with our favourite gang of misfits and suave consigliere in Vincenzo on Netflix, it’s time to start planning your K-drama viewing schedule for May!

From stories about the seemingly perfect lives of the uber-wealthy, to touching lessons learned through trauma cleaners, you’ll be enamored. Take a look at what’s coming up!

Mine

4 Marvelous K-Dramas to watch out for on Netflix this May
Image courtesy of Netflix.

Look forward to a dazzling, intriguing look at the dramatic and glamorous lives of the super rich on May 8.

Mine focuses on two strong women who are daughter-in-laws married into a conglomerate family. Breaking free from society’s expectations and restrictions, the women seek to reclaim what is theirs.

Screenwriter Baek Mi-kyoung of Strong Girl Bong-soon and The Lady in Dignity, and Director Lee Na-jeong of Love Alarm S1 and Fight for My Way are the creative forces behind Mine. Furthermore, the series is led by powerhouse actresses Lee Bo-young and Kim Seo-hyung.

Mad for Each Other

4 Marvelous K-Dramas to watch out for on Netflix this May
Image courtesy of Netflix.

Do you have a weak spot for romance? Then Mad for Each Other will be right up your alley. Noh Hwi-oh (Jung Woo) and Lee Min-kyung (Oh Yeon-seo) each have their own painful stories when they first meet. The two of them are dealing with difficult matters like anger management issues and intense anxiety. As they get to know and understand each other, they begin to heal and fall in love.

Directed by Lee Tae-kon of the Hello, My Twenties! series, you’ll also be able to see Lee Soo-hyun from Part-Time Idol and Kim Nam-hee from Sweet Home.

Mad For Each Other will begin on Netflix this May 10.

Move to Heaven

4 Marvelous K-Dramas to watch out for on Netflix this May
Image courtesy of Netflix.

Move to Heaven tells the story of Cho Sang-gu (Lee Je-hoon) and Han Geu-ru (Tang Jun-sang) who work together as trauma cleaners. Geu-ru, who has Asperger’s Syndrome, shows his new guardian Sang-gu how to respectfully clean and organize the possessions of those who have passed away. This way they assist the deceased with their final move and convey messages left behind by the deceased. The heartwarming series about life and death will also feature special cameos from actors including Ji Jin-hee and Lee Jae-wook. You’ll be able to watch the entire K-drama on May 14.

Racket Boys

4 Marvelous K-Dramas to watch out for on Netflix this May
Image courtesy of Netflix.

If you love heartfelt stories about youth, Racket Boys is a series you won’t want to miss out on. 16 boys and girls team up and pursue their dreams of becoming badminton superstars. It’s a diverse bunch with a baseball player, an attention seeker, a fashion king, an excessive talker, and more.

Led by their trustworthy coaches, the students strive to achieve their goals. There’s a lot of rising young talent to look out for with actors like Tang Jun-sang, Son Sang-yeon, Choi Hyun-wook, Kim Kang-hoon, Lee Jae-in, and Lee Ji-won. The inspiring tale of the badminton players’ sweat and tears will be coming soon in May.

Which May K-drama are you most excited for? Don’t forget to watch them all, only on Netflix!

Remembering the tragic Hillsborough disaster of 1989

By Geryl Ogilvy

Ninety-six football fans lost their lives in the Hillsborough disaster on April 15, 1989, an event that shook the modern footballing world.

It should come as no surprise that the tragedy remains fresh in the minds of the people, in particular the British public and Liverpool Football Club fans alike, 32 years on.

The victims – men, women and children, the youngest being 14 – had come to support their team in a semi-final FA Cup tie between Liverpool and Nottingham Forest at Sheffield Wednesday’s Hillsborough stadium.

The match was televised live globally. To the horror of the spectators and those watching on the telly, overcrowding in the standing-only section behind the goal post of the Liverpool supporters led to the people being crushed against the fan barriers.

The crush was so great that the fencing collapsed, injuring 766 people.

Ninety-four died on the day itself. One person died at the hospital a few days later and the last victim, who was in a vegetative state following the crush, never regained consciousness, eventually dying in 1993.

It was the highest death toll in British sporting history.

The Hillsborough stadium disaster led to the Taylor Report, which recommended that all major stadiums be converted to an all-seated model, where all ticketed spectators should have seats to prevent overcrowding.

The football league in England and Scotland introduced regulations that required clubs in their top two divisions to comply with these recommendations by August 1994.

While the report stated that standing accommodations were not intrinsically unsafe, the government decided that no standing accommodation (standing terraces) would be allowed. Also gone were the fences surrounding the pitch as a number of safety improvements were made in football grounds across Great Britain.

Events that led to the Hillsborough disaster

Hillsborough disaster memorial
People visit Hillsborough disaster memorial on April 20, 2013 in Liverpool, UK. Hillsborough disaster was a stadium crush on April 15, 1989 which resulted in 96 deaths.

The semi-final clash between Liverpool and Nottingham Forest took place on a Saturday, April 15, 1989. Tickets to the 53,000 capacity stadium were already sold out, with fans from both sides heading to Hillsborough stadium for the 3pm kick-off.

With hooliganism in English football at its height in the 80s, segregation of the fans needed to be enforced strictly.

As such, Liverpool supporters were allocated the smaller end of the stadium, Leppings Lane, so that their route would not come in contact with Forest supporters coming from the south.

The North and West ends (Leppings Lane), held 24,256 fans, reached by 23 turnstiles from a narrow concourse.

Meanwhile, Nottingham Forest supporters were allocated the South Stand and Spion Kop on the East Stand, with a combined capacity of 29,800 reached by 60 turnstiles spaced along the two sides of the ground.

Fans began to arrive at Leppings Lane stand around noon. Only seven turnstiles at the west entrance were allocated for the 10,100 ticketed Liverpool supporters for the two standing-only terraces.

At the time, it was common practice in football grounds that terraces be divided into “pens” by high fences to separate fans into blocks, as well as from the pitch.

According to the second coroner’s inquests held between April 1 and 26, 2016, the jury was told that entrance tunnel led supporters directly into the two pens, marked pens 3 and 4, situated behind the goal, while access to other pens (1 and 2) was poorly marked.

There was no proper system on the day to ensure fans were evenly distributed across the pens. The lack of personnel to monitor entries made counting the crowd in each pen difficult. The police had expected supporters to find their own sections and to spread across the pens in search for space. However, movement between the pens was difficult due to narrow gates of the entrance tunnels.

By 2.15pm, a large crowd had built outside Leppings Lane turnstiles as progress at the turnstiles was slow. Inquests heard that half an hour before kick-off, only 4,383 people had entered, meaning some 5,700 fans with tickets were still outside the ground.

By 2.45pm, CCTV footage showed thousands of people pressing into the turnstiles alongside a large exit gate, marked Gate C. The inquests were told that the funnel-shaped nature of the area meant that congestion was hard to escape for those at the front. The limited turnstiles became hard to operate and people were getting crushed at the entrance.

Meanwhile, the police officer in charge of the section had told the inquests that he thought people might get killed unless the exit gates were opened to alleviate the pressure at the turnstiles. Several requests were made before recently appointed match commander, South Yorkshire Police Chief Supt David Duckenfield gave the order to open the gates.

About 2,000 fans made their way into the ground, mostly entering through Gate C, which headed straight for the tunnel leading to the already overcrowded central pens 3 and 4.

This led to an influx of supporters and severe crushing occurring in the pens. The official combined capacity of pens 3 and 4 was 2,200. It was later discovered that the safety certificates to the pens had not been updated since 1979, despite several modifications made to the ground over the past decade.

Witnesses said some of the people had begun to climb over the side fences into the less packed adjoining pens to escape. By 2.59pm, right before kick-off, fans in the two central pens were seen pressed up against the fences and being crushed against the barriers.

Hundreds of people were pressed against each other and the fencing, with the weight of the incoming crowd worsening the situation as those entering were unaware of the problems going on at the fence.

When the match began as scheduled at 3pm, the crowd was still streaming into pens 3 and 4. Meanwhile, the problems at the front of the section went largely unnoticed by the authorities.

It is understood that Liverpool’s goalkeeper Bruce Grobbelaar had reported that fans behind him were pleading with him to seek help as the situation worsened. At approximately 3.04pm, a shot from Liverpool’s Peter Beardsley hit the bar.

Possibly connected to the excitement, a surge in pen 3 caused one of the metal crush barriers to give way, causing the people to fall on top of each other. There were accounts among survivors of people losing consciousness before their eyes.

At 3.06pm, Supt Roger Greenwood ran to the pitch and told the referee to stop the game.

Fans started to climb the fence in an effort to escape the crush, going onto the track. Fans had also forced open several parts of the collapsed fencing in a desperate attempt to escape. Other fans were pulled to safety by those in the West Stand above (upper tier) the Leppings Lane terrace.

The crowd from the terrace overspilled onto the pitch with many traumatised.  Many were still trapped in the pens  and it is understood that many victims died of compressive asphyxia.

Disastrous emergency response

In the chaotic aftermath, supporters tore up advertising billboards to use as makeshift stretchers as they tried to administer first aid to the injured. The authorities’ response to the disaster was deemed by many as slow and poorly coordinated.

Police delayed declaring a major incident and staff from the South Yorkshire Metropolitan Ambulance Service at the ground also failed to recognise and call a major incident.

Firefighters with cutting gear had difficulty getting into the grounds. Although dozens of ambulances were dispatched, access to the pitch was delayed because the police were reporting “crowd trouble”. Two ambulances eventually reached the Leppings Lane end of the pitch and of the 96 people who died, only 14 were ever admitted to hospital.

Confusion arose among first responders, as the agreed protocol was for the ambulances to queue at the entrance of the gymnasium, termed casualty reception point, or CRP. Any individuals in need of medical attention were to be delivered expeditiously by police and paramedics to the CRP.

The system of ferrying the injured victims from any location within the stadium to the CRP required a formal declaration by the person in charge for it to take effect. As the declaration was not immediately performed, confusion reigned over those administering aid on the pitch. Some ambulance crews were also hesitant to leave their vehicle, unsure whether patients were coming to them or vice versa.

Meanwhile, players from both teams were rushed to the dressing room and told there was a 30-minute delay. (The match would be abandoned and the fixture replayed at Old Trafford, Manchester, on May 7, 1989 with Liverpool winning and going on to win the FA Cup.)

As for the jury of the inquests, police errors in planning, defects at the stadium and delays in the emergency response contributed to the disaster. In an age where football hooliganism had reached its heights in English football, the behaviour of the fans was not to blame.

The jury found that Duckenfield had breached a duty of care to fans in the stadium that day, which amounted to gross negligence and that the 96 victims were unlawfully killed.

Unfortunately, Duckenfield was new to his post and had limited experience in policing football matches. Even though Duckenfield had discussed delaying the kick-off with his deputy Supt Bernard Murray to allow fans to enter, he had decided against it on that day.

Justice for the 96

Bereaved families and survivors had fought a tireless campaign seeking justice after the first coroner’s inquests into the Hillsborough disaster, completed in 1991, ruled all the deaths as accidental.

Families of the victims rejected the findings and fought to have the case reopened. In 1997, Lord Justice Stuart-Smith concluded that there was no justification for a new inquiry. Even private prosecution brought by the Hillsborough Families Support Group against Duckenfield and Murray failed in 2000.

By 2012, new inquests were quashed as the court proceeding had gone on to become the longest running in British legal history.

However, on April 16, 2016, the jury of the second inquests returned verdicts of unlawful killing in relation to each Hillsborough victim, vindicating all those who fought tirelessly for the truth for so long.

The jury concluded that police errors had caused a dangerous situation at the turnstiles and failures by commanding officers had also caused a crush on the terraces. There were also mistakes in the police control box over the order to open Leppings Lane end exit gates.

It also concluded that defects at the stadium contributed to the disaster and that there was an error in the safety certification of the Hillsborough Stadium.

Police also delayed declaring a major incident, leading to the emergency response including ambulance service also being delayed.

The condition of Hillsborough stadium prior to the disaster

Constructed in 1899 to house Sheffield Wednesday, HIllsborough stadium had been selected as a neutral venue to host the FA Cup semi-final rounds on five occasions in the 1980s.

Sheffield Wednesday was criticised for neglecting safety at the stadium following the tragedy, as this wasn’t the first time that fans had been crushed during a game.

An incident in the semi-final of the 1981 FA Cup between Tottenham Hotspur and Wolverhampton Wanderers at Hillsborough stadium saw 38 fans being crushed and injured after hundreds more spectators were permitted to enter the terrace.

Serious overcrowding was also observed at the 1987 quarter-final between Sheffield Wednesday and Coventry City and again between Coventry City and Leeds United.

Liverpool and Nottingham Forest even met in the semi-final at Hillsborough a year earlier in 1988, and fans reported of crushing at Leppings Lane. Liverpool had lodged a complaint before the match in 1989.

Although the 1981 incident prompted Sheffield Wednesday to alter the layout at the Leppings Lane to restrict sideways movement, several changes to the ground later on invalidated the stadium’s safety certificate.

The Leppings Lane did not hold a valid safety certificate at the time of the disaster.

The Taylor Report

The Hillsborough disaster inquiry overseen by Lord Justice Taylor between May 15 and June 29, 1989, published two reports – an interim report (Aug 1), which laid out the events of the day and immediate conclusions, and the final report on Jan 19, 1990, which outlined the general recommendations on football ground safety.

The Taylor Report had a deep impact on safety standards for stadiums in Great Britain. Perimeter and lateral fencing was removed and many top stadiums converted into an all-seated format. Purpose-built stadiums for the football league teams since the report require that they are all-seated.

The Football Spectators Act does not cover Scotland but the Scottish Premier League chose to make all-seater stadiums a requirement of league membership.

In England and Wales, all-seating is a requirement of the Premier League and the Football League for clubs who have been present in the Championship for more than three seasons. However, the government announced a relaxation of the regulation for the lower two English leagues (now known as League One and League Two).

Of late, several campaigns have attempted to get the government to relax the regulation and allow standing areas to return to the Premiership and Championship grounds.

Lest we forget

Remembering the tragic Hillsborough disaster of 1989
Liverpool, UK – May 17 2018: Hillsborough memorial for the 96 victims in Hillsborough disaster constructed 2015 situated in a specially-designed garden in front of the Anfield stadium Main Stand.

Several memorials have been erected in memory of the victims of the Hillsborough disaster, most notably at Anfield, featuring the names of the 96 who lost their lives.

There is also a memorial garden in Hillsborough Park with a “You’ll never walk alone” gateway.

Flames were added either side of the Liverpool FC crest in memory the victims.

In 2014, the English FA decided all FA Cup, Premier League, Football League and Football Conference matches played between April 11 and 14 would kick-off seven minutes later than originally scheduled with a six-minute delay and a one-minute silence tribute.