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5 things you need to know about Bako Buntal Bay

Most travellers visiting Sarawak might not have Bako Buntal Bay as part of their itinerary….unless they are avid birders.

Located about 40km from Kuching city, this vast bay area is an ecologically important site for birds.

The Bako Buntal Bay covers roughly 3,590ha from Mount Santubong at its west to the sandstone plateau of Bako National Park at its east.

Here are five things you need to know about Bako Buntal Bay and why we need to protect it:
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The observation point of Buntal Esplanade.
1.Bako Buntal Bay is one of 55 IBAs in Malaysia

IBA stands for Important Bird and Biodiversity Area, an area identified and agreed as being globally important for the conservation of bird populations.

These sites are identified by BirdLife International. It is a global partnership of conservation organisations that work to conserve birds and their habitats.

Currently, there are over 12,000 IBAs worldwide with 55 of them located in Malaysia.

This number includes 18 in Peninsular Malaysia, 14 in Sabah, 22 in Sarawak and one oceanic island.

2.It is the first East Asian-Australasian Flyway Site in Malaysia.

Malaysia became a partner of EAAFP in 2012. Then on Aug 23, 2013, Bako Buntal Bay was recognised as the first East Asian-Australasian Flyway site in the country.

A flyway is a route migratory birds follow every year from breeding ground to non-breeding sites across different countries and continents.

There are nine flyways of waterbirds in the world covering an area of roughly 350 million square kilometers.

That being said, the birds of Bako Buntal Bay belong to the East Asian-Australasian Flyway. They migrate from the Northern Hemisphere to the Southern Hemisphere and back every year.

3.Buntal Bay Flyway Network is an important site for wintering birds.

The East Asian-Australasian Flyway spans over Russia, Japan, China, Korea, Australia and New Zealand.

So these birds stop at this bay as a wintering and refueling site for this particular flyway.

About 25,000 migratory birds are lured to Bako Buntal Bay between October and April every year to escape winter in their habitats.

After flying long haul from the northern countries such as China and Korea, here is where they stay for two to three weeks to feed and rest, before making their way southwards to New Zealand or Australia.

Bako Buntal Bay
The bay is a vast mud and mangrove area.
4.Rare birds have been sighted at Bako Buntal Bay.
Spotted Greenshank
Nordmann’s Greenshank. Photo credit: tunpin.ong [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0/)]

There are at least 27 species of migratory birds make a pit stop at Bako Buntal Bay.

According to EAAFP, most of them are threatened species including Nordmann’s Greenshank, Asian Dowitcher and Far Eastern Curlew.

In 2009, two rare bird species sighted at Bako Buntal Bay made headlines on the local news. There were the globally-threatened Pied Avocet (Recurvirostra avosetta) and Eurasian Oystercatcher (Haematopus ostralegus).

5.At least 10% of the world population of threatened Chinese Egret stop at Bako Buntal Bay.

The Chinese egret (Egretta eulophates) is a a threatened egret species from east Asia. They usually breed in Russia, Korea and mainland China.

The total population of this bird is estimated at 2600 to 3400. According to Sarawak Forestry, the highest number recorded of Chinese egret at Bako Buntal Bay is 40, that is more than 10 per cent of its population.

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The bay at low tide.

Three legends of the orangutan you’ve probably never heard of

The orangutan is the only genus of great apes native to Asia. Like other great apes, they are highly intelligent.

Furthermore, they share approximately 97% of their DNA with humans.

Due to their similarities with humans, it comes as no surprise that this ape has become the subject of some local legends.

Here are three legends of the orangutan you’ve probably never heard of:
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1.The man who refused to work and became an orangutan

The commonly known legend in Indonesia about the orangutan is that they were once able to speak like humans.

But then they decided to become silent after humans entered the forest. Why? They feared that if people knew that they could speak, they would be harassed or enslaved by humans.

Another legend has it that if an extremely lazy or mean person were to be punished, their would be changed into an orangutan.

2. The female orangutan who kidnapped a human male

Carl Sofus Lumholtz recorded this particular legend when he stayed at Central Kalimantan, Indonesia.

There was a man who just lost his wife and children. Out of grief, he took a walk into the forest.

After awhile, he felt exhausted so he took a nap underneath a tree. He must have been so exhausted because he did not realise a female orangutan carried him up to her nest far up on a tree.

The man woke up and to his surprise, he was already high up in the tree, unable to come down.

He was left with no choice but to stay up in that tree. For his survival, the female orangutan brought him fruits and even rice stolen from people’s homes.

One day, the orangutan tried to make her moves on him but the man resisted. The animal was so angry that it bit him on the shoulder. Unwillingly, the man surrendered.

After some times, the orangutan gave birth to child. It was a boy but he was covered with long hair.

The man stayed there up on the tree out of fear for his life until one day when he saw an opportunity to escape.

He saw a ship along the coast putting out a boat for hauling water from the river nearby.

Thankfully, the orangutan was away looking for food. So the man made a rope from his clothes and began climbing down from the tree.

Though the rope was not long enough, he successfully jumped into the river.

With all his might, he swam to the boat. The people of the boat saw him and came to his rescue.

When the orangutan did not find the man at their nest, she was angry. Then, she saw the ship from a distance. She tried to catch up to the ship but failed.

Here comes the gruesome part; she returned to her nest in anger, took their son and tore him in half.

3.The orangutan who was a healer

The particular legend came from Kampung Kiau at the foothill of Mount Kinabalu, Malaysian state of Sabah.

Long time ago, a group of men went into the jungle carrying blowpipes.

Suddenly, they heard someone singing among the trees. They looked and saw an orangutan singing on the ground.

Ivan Evans wrote in his book Among Primitive Peoples in Borneo the song that orangutan sang,

“First of all I lived at the River Makadau, but I went to the River Serinsin. From there I went to the River Wariu; from the Wariu to the Penataran. From Penataran to the Kilambun; from Kilambun to the Obang, and from the Obang to the Tenokop.

I cannot go up into the trees again for I am old and must die upon the ground. I can no longer get fresh young leaves to eat from the trees; I have to eat young grass.”

Then the men who heard the song, said to one another: “This orangutan is clever at verses, let us shoot him with our blowpipes.”

When one of the men was about to shoot him, the orangutan pleaded for his life.

“Do not shoot me, but make me a hut and let me live here till I die. When you have made my hut, bring your sisters here and I will teach them magic, for I am skilled in it.”

So the men agreed; they built him a hut and brought their sisters to him.

In return, he taught the women how each sickness had its own magical ceremony. He also taught them the spells for snake bites and fevers.

Then they went home, a journey which took them about three days, to get rice for the orangutan.

But when they came back to the hut, he was already dead.

From there on, whenever there was sickness in Kampung Kiau, the women who were taught by the orangutan would serve as their healers.

Penghulu Asun and the last revolt against the Brooke government

Back in the day, there were plenty of rebellions set against the Brooke government in Sarawak.

The major ones were led by Rentap (1853), Liu Shan Bang (1857) and Syarif Masahor (1860).

Would it surprise you to know that the last revolt against the White Rajah happened only less than a century ago?

Penghulu Asun’s economical reasons to revolt
Asun
A screenshot from Alaistair Morrison’s memoir Fair Land Sarawak: Some Recollections of an Expatriate Official showcasing a photo of Asun.

In 1931, a former Penghulu named Asun led the Ibans of Kanowit, Entabai and Julau along the Rajang river in a revolt against the White Rajah.

Chang Pat Foh in Legends and History Sarawak stated the cause of the revolt was economic rather than tribal.

He wrote, “Because of the World Economic Slump, the prices of rubber and jungle produce dropped and the Ibans could not pay their taxes.

“Besides, the government insisted on carrying out all regulations causing much discontentment among the people who blame the government for their hardships, resulting in the revolt.”

At first, the Brooke government tried to negotiate with Asun. The last White Rajah, Vyner even went to Kanowit to meet him.

But according to Steven Runciman in The White Rajah: A History of Sarawak from 1841 to 1946, Asun was truculent and decided to continue the revolt.

Vyner reported that the difficulties faced by Asun and his peoples were largely due to the shortage of responsible European officers in the outstation.

Furthermore, there were too many clerks who insisted on all regulations being strictly carried out.

Runciman wrote, “With little or no money coming to them from the sale of their crops, the tribesmen found it hard to pay their taxes; and the clerks were not empowered to offer them a respite, nor were they people who could talk with friendly authority to them and explain matters with the easy good manners and jokes that the Dyaks loved.”

Fox and Steele Kanowit Bazaar
Kanowit bazaar.
The real reasons behind the revolt

George Washington once said, “Serious misfortunes, originating in misrepresentation, frequently flow and spread before they can be dissipated by truth.”

This might be the reason why Pengulu Asun’s revolt started in the first place. According to Dr Bob Reece in The Name of Brooke, the rubber price had caused some trouble among the Ibans in the upper Rajang district.

However, Reece added that “The more systematic collection of the annual door tax, together with the imposition of gun registration fees, had led to wild rumours of further taxes among these volatile upriver people.

“At the same time, the newly-created Forests Department had been establishing reserves where Ibans were not allowed to farm, hunt, or collect jungle produce. The issue of inland passes was tightened up, limits on up-stream settlement were enforced and a minimum size for longhouse was introduced in order to reduce mobility.”

Hence, these enforcement affected the Iban communities who were already short of virgin land for the cultivation of paddy hills.

Adding to the problem, the Brooke government was going through growing systemisation and centralisation in its administration affecting the personal relationship between the communities and the District Officers.

Besides the rumour of increased taxes, there was a rumour of seizure of land by the government.

However, Reece believed that Asun and his followers never constituted a proto-nationalist, anti-Brooke movement, and hostility was directed rather towards particular Brooke officers.

Pacifying the rebellion

Regardless of the reasons, Vyner sent the Sarawak Rangers on an expedition to put down the revolt.

Finally in December 1932, Asun, after reportedly failing to persuade the Iban from Batang Lupar to join him, surrendered and was exiled to Lundu.

After World War II, he was allowed to spend his last years in his home area on the Entabai tributary of Kanowit.

According to former Sarawak Information Services director Alaistair Morrison in his 1993 memoir Fair Land Sarawak, even in old age, Asun struck Morrison as being a formidable personality.

The aftereffect of Asun’s rebellion

Runciman pointed out the aftereffect of Asun’s revolt was a series of headhunting cases by a group of less than 30 young Ibans.

There were some recorded and isolated cases. In 1934, there were three Chinese killed on upper Rajang river and a group of Malays and Kayans attacked on the Pelagus with some of their heads taken.

The Brooke government managed to capture and sentence a handful of the headhunters to death over the years while a few of these rebels hid in the jungle.

“The last four gave themselves in the autumn of 1940, trusting in the Rajah’s clemency. To the irritation of his law officers, he pardoned them, delighted that headhunting should have ceased before the centenary of Brooke rule should be celebrated.

“By 1940, anyone could wander through Sarawak with no fear that his head would soon adorn a longhouse. It was no mean achievement to have eliminated a custom so deeply ingrained in the Borneo Peoples,” Runciman wrote.

Unimas and Limkokwing shine on first night of AMS 2019

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The long-awaited Alta Moda Sarawak 2019 (AMS 2019) kicked off its first night on March 7 with designs by students from Universiti Malaysia Sarawak (Unimas) and Limkokwing University of Creative Technology.

Officiated by Sarawak Assistant Minister for Youth and Sports Datuk Snowdan Lawan, this inaugural fashion and lifestyle event saw three designers from each university pull off a dynamic runway show, showcasing diverse looks, from dramatic evening gowns to chic street styles.

AMS 2019: Bringing high-fashion to your doorstep

AMS chairperson Datin Esther Mujan Balan, who was regal in her canary yellow assymetrical evening gown, said that she looked forward to Alta Moda Sarawak being a successful annual event that can elevate Sarawak to a leading fashion hub in Southeast Asia, on top of attracting potential tourism.

Esther added, “We hope that events like these, our Sarawak designers and fashion model talents will not need to travel so far to showcase their amazing creations because Alta Moda Sarawak will be able to generate crowds and visitors to Sarawak ranging from among fashion enthusiast, the industry people, fashion magazines and medias, and retail buyers.”

Besides the 21 designers who will be showcasing among the best that Sarawak Malaysia has to offer, AMS 2019 also had international models striding around the runaway among the 24 models from Sarawak.

A boost for Sarawak tourism

Meanwhile, Snowdan, who graced the event in a striking suit with gold embroidered feather motifs, stated that the Sarawak government took pride in having Alta Moda Sarawak as another tourist attraction for the state.

“The organising of the three-day event will complement our efforts to boost tourists’ arrival in conjunction with the ‘Visit Sarawak Campaign’.”

He was also pleased to announce that the efforts in promoting the campaign had shown good results so far even though it was only entering its third month.

Snowdan added, “The number of visitors to Sarawak especially from other states in Semenanjung has dramatically increased to 68% as compared to January 2018. The overall arrivals itself have also increased by 10.72% with the total of 326, 347 visitors.”

About Alta Moda Sarawak

AMS 2019 is a brand platform for Sarawakian designers to come together showcase their talents and creations in the field of arts, culture and craft.

Besides the fashion show, the event also featured art exhibitions by The Accidental Artist, Hasbah Saufi, Mary Ann Vaz and 9-year-old artist Azaira Mohd Nizam from the Dyslexia Association.

In addition to that, there are diamond jewellery by Diamente, songket weaving by Tanoti, Sarawak Malay Keringkam embroidering by Sazalia Warisan Craft, handbags by Sarawak Penan Helping Hands and bead accessories by Punggu creations on display.

The foyer area opens daily from 4pm daily till the show’s closing time.

How were jar burials carried out in Borneo?

A jar burial is where one’s remains are placed into a large earthenware jar and then placed in a grave or a tomb.

The custom of jar burials can be found all over the world including India, Taiwan, Japan, Iran, Syria, Egypt, the Philippines, Thailand, Vietnam and Malaysia.

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Clay jars on display at Sabah Museum.
Where did these jars come from?

First of all, where did all of these jars come from? In Malaysian Borneo where jars – commonly known as tajau – were widely used in the past, these jars came from China through traders and merchants.

Zhao Rukuo or Chau Ju-kua was a Song dynasty official who wrote the book titled Zhu Fan Zhi. Although he himself never travelled outside of China, the book contained information on China’s trading records with the outside world. He also wrote a list of foreign places with descriptions of each place and their local customs.

Gaining his information from foreign merchants, Zhao recorded a wide range of countries including Japan, Srivijaya, Brunei, India, Mecca, Africa, Spain and Borneo.

From Zhao’s writing we know that China was exporting pottery to Borneo at the beginning of the 13th century. But it is also possible the trade started at a much earlier date.

In Borneo, this pottery was traditionally used for many purposes; as a sign of wealth, as a currency and to bury their loved ones.

Jar burials found in Niah Caves, Sarawak

One good example of jar burials in Borneo can be found in Niah Caves, Miri. The oldest jar burials found intact in the archipelago were excavated from the Neolithic cemetery found there.

How did the archaeologists determine that it was a Neolithic cemetery? They found three small bronze items; two from inside the jar burials. They dated all three bronzes items to a time earlier than 500 cal BC.

However, only 5-10% of the burials in Niah were placed in a jar. Some were buried in wooden coffins or bamboo caskets.

The dead who came back to life after being stuffed in a jar

Even so, British administrator and Sarawak ethnologist Charles Hose (1863-1929) explained that old jars were more valuable than the newer ones.

Additionally, not all could afford the luxury of a jar, especially a big one that could fit a dead body. Those who could not afford it had to make do with a wooden coffin.

The same thing applied in North Borneo back then. Museum curator and archaeologist Ivor Evans (I886-1957) recorded in his book Among Primitive Peoples in Borneo wrote:

“All good Dusuns wish to be buried in a jar; but a jar is expensive, and so the bodies of poor people are buried in a rough wooden coffin or wrapped up in mats. If the deceased is sufficiently well off to afford a jar, the body is slipped into it legs first and pushed, or even stamped, down till it does not protrude.”

He also recorded an interesting story of a man who came back to life after being buried in jar.

Evans had a Dusun servant named Omboi. There was a bad epidemic of smallpox in the Tuaran district which killed off many people, including Omboi’s father.

So they decided to bury him in a jar. Evans wrote, “The neck of the jar was, however, rather narrow, and when the mourners began to stamp the body home with the flat of their feet, the “corpse” got up and objected to the process in forcible language. The patient had merely been in a state of coma, and he eventually recovered.”

How could a body fit into a jar?

So what happens if the mouth of a jar is too narrow to fit the body through? According to Evans, in Tuaran, Sabah, the vessel was cut in two horizontally at its largest circumference. Then the body packed into the lower portion and the top replaced and fastened down with some kind of resin.

But then how did they actually cut it? Is it possible to cut it into two without breaking the pottery into pieces? Hose might have had the answer.

In Pagan Tribes of Borneo, Hose explained that the jar was sunk in the water of the river until it was full of water and wholly submerged.

It was held horizontally by two men, one at either end, just beneath the surface of the water.

Then, a third man struck the widest circumference of the jar with an axe. They turned the jar over and the man struck the jar at the opposite side of the first strike.

Hose wrote, “At the second stroke the jar falls in two, sometimes as cleanly and nicely broken as though cut with a saw.”

Jars as a secondary burial

Not all jar burials in Borneo were practiced as a primary burial in which the body was placed immediately after death.

According to Hose, a jar burial was also practiced as a secondary burial. For example, the usual practice of the Kenyah group back then was to keep the coffin containing the corpse until the end of the mourning period.

“A bamboo tube carried down through the floor to the ground permits the escape of fluids resulting from decomposition. The coffin itself is sealed closely with wax, and elaborately decorated with carved and painted wood-work.”

After several months or even years, a feast was held to open up the coffin. Then the bones were taken out, cleaned, packed into smaller coffin or large jar before carried to the cemetery.

“There it is placed either in the hollowed upper end of massive post, or into a large wooden chamber containing, or to contain, the remains of several persons, generally near relatives. These tombs are in many cases very elaborately decorated with painted woodwork,” Hose wrote.

Today, the act of putting several family members in a large tomb is still practiced by some of the Kayan and Kenyah communities in Sarawak. Except that these large wooden chambers are now made of bricks and look like small, well-decorated houses.

However, the custom of jar burial in Borneo is no longer practiced and have been replaced by the more conventional wooden casket.

How to cure cholera according to old Sarawakian traditions

Cholera is a disease which results from colonisation of the small bowel by the Vibrio cholerae bacterium.

It is caused by lack of clean water supply, improper sewage disposal, poor personal hygiene and unsatisfactory environmental sanitation.

The classic symptoms include watery diarrhea that lasts a few days, as well as muscle cramps and vomiting.

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One of the symptoms for cholera is vomiting.

For Hematram Yadav and Chai Meng Chee who did research on the historical perspective of cholera in Sarawak, they stated that the disease has been here since 1873.

A number of epidemics have been recorded since then, the major ones taking place in 1873, 1888, 1902, 1910 and 1911.

The worst of all outbreaks were recorded in 1902 with over 1,500 recorded deaths and the actual number of cases being unknown.

At this time, there was a punitive expedition to punish the alleged Iban rebels in Simanggang district and the mission ended catastrophically due to cholera.

Lack of awareness of the causes and methods of prevention for cholera were the main causes of these outbreaks, but the late 19th and early 20th century Sarawakians did try to find our own cures for the disease.

From Iron Throne-looking chairs to manang , here are the traditional ways Sarawakians tried to cure cholera:
1.A Chinese possession

Many of the outbreaks in Sarawak occurred during the reign of the Second White Rajah, Charles Brooke.

The Rajah and his wife, Margaret tried to relieve the panic among Sarawakians during these epidemics by riding every morning through the bazaar where cholera was rife.

There, according to the Ranee, the atmosphere was impregnated with the smell of incense and joss sticks. The Chinese burnt them in order to mitigate the plague.

Margaret wrote in My Life in Sarawak (1923), “ I remember one magnificent junk, built regardless of expense, the Chinese merchants and their humbler and poorer brethren giving their dollars and cents ungrudgingly to make this vessel glorious, as a sop to stay the ravages of the infuriated god. The junk was placed on wheels and dragged for three miles down a bad road to a place called Pinding where it was launched on the waters of the river, to be borne by the tide – it was hoped – to the sea.”

She added the procession accompanying the vessel was extremely picturesque. There were great banners in scarlet, green and blue with embroidered golden dragons.

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Cholera is a disease caused by bacterium called Vibrio cholerae.

While we can imagine how exciting and colourful this procession must have been because of our own experiences today, this ‘cholera-curing’ procession was even more fearsome.

The procession was led by a man seated on a chair that looked more dire than the Iron Throne in Games of Thrones. The chair was an arm-chair formed entirely of swords, their sharp edges forming the back, the seat and the arms.

A man, clothed only in a loincloth and a handkerchief on his head, sat on the sword chair. “His head rolled from side to side, his tongue protruded, and only the whites of his eyes could be seen. I thought he must be mad or in a fit, but one of our Syces told me that was trying to allay the cholera,” Margaret wrote.

Meanwhile, the crowd that followed him was screeching, yelling, beating gongs and making a terrific noise.

The gruesome procession took place morning and evening during the first weeks of the epidemic. But according to the Ranee, instead of allaying the scourge it appeared to have the effect of increasing it.

After awhile, the Rajah had to give an order to suppress the procession.

2.A Muhammadan rosary

There was an old lady named Dayang Kho who lived in Kampung Gerisek, (Kampung Gersik today). She was a well-respected figure among the Malay communities back then.

And she had her own ways to cure the disease. Margaret state, “Daiang Kho had brought with her from Mecca a Muhammadan rosary, and this was made great use of in cases of illness in Kuching. The rosary was placed in a tumbler of cold water over night, and the liquid poured into various bottles the next morning to be used as medicine.”

3.Manang and pelian

The concept of illness and injury among the olden Iban communities was closely linked to religion and magic.

For them, cholera was the coming of a great sea to kill and devour. The traditional way of curing was also used to cure other diseases such as smallpox; by healing (pelian) offered by the manangs (healers).

Do you know other traditional ways to cure this disease? Let us know in the comments box.

Featured image is the “War Dance of the Lundu Dyaks” from The Expedition to Borneo of H.M.S. Dido for the suppression of Piracy; with extracts from the Journal of J. Brooke Esq., of Sarawak, The British Library.

Six places in Sarawak where you can find rock art

In archaeology, rock art or cave paintings are man-made markings drawn on natural stone.

Unbeknownst to many, there are at least six interesting historical rock art sites found in Sarawak. Each holds a piece of its own unique history that has not yet been fully uncovered.

Here are six places of rock arts in the Land of Hornbills where you can find them:
1.Santubong Village
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The boulders at the beach of Kampung Santubong.

According to Sarawak Museum Journal published in December 2010, a total of 11 boulders were found on the edge of a curving portion of the beach of Santubong village (Kampung Santubong).

These boulders display at least 22 pieces of rock art with most of them facing the water.

Some of them have facial features while others come with geometric designs.

Still little is known about these rock arts at Santubong village.

2.Jaong River

Located about 2km from Kampung Santubong, there is a small tributary river of the Santubong river called Sungai Jaong.

There lies the famous ‘Batu Bergambar’ or carved boulder which is at least 1,000 years old.

This particular rock art looks like a kind of headdress. In addition to that, there are about 10 rock arts spread across the Sungai Jaong area.

Besides rock art, Sungai Jaong was also the site of an ancient iron smelter.

There were crucibles used in smelting iron as well as porcelain, earthenware and glass beads.

While the exact age of the rock arts are unknown, the iron smelter is believed to be from the 10th century.

3.Sireh Cave

Located at Serian district, this cave site is mainly associated with burials and rock arts of charcoal paintings.

Found at the cave entrance, the wall paintings depict mainly human and animal motifs.

Besides that, the cave entrance is also where earlier settlers cremated their warrior’s bodies.

During an excavation led by Ipoi Datan in 1989, they found a sequence of pre-pottery layers with stone tools at least 20,000 years old.

4.Sorang Caves

The rock arts found at Sorang Cave, Tatau are believed to be closely related to the Pre-Neolithic stone tools discovered there.

Not much has been reported about Sorang Cave, except that the paintings found there are different from Sireh and Niah caves.

5.Niah Great Cave

The most famous rock arts on this list are none other than the ones found in Niah Great Cave at its Gua Kain Hitam (also nicknamed The Painted Cave).

Discovered in 1958 by an archaeological team led by Tom Harrisson, some of the paintings were found up to 15 feet above the cave floor and extending over 200 feet in width.

Archaeologists believed the rock arts were associated with funeral burials in boat-like coffins.

Apart from the longboats/coffins, there were also paintings of humans and animals.

6.Long Semadoh

According to Sarawak Museum, there are five ancient burial sites around Long Semadoh. Each of them was found with Ming ceramics and lidded jars from the 18th-19th century.

As for rock arts, there are two stone carvings of human figurine which probably go back as far as the 17th to 18th century.

Read also:

Six archaeological sites in Sabah that you need to know

KajoAsks: Making a social impact through art with Mary Anne Vaz

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Self-taught artist Mary Anne Vaz was born in Penang, but she has called Sarawak home since she married her Kelabit husband.

She uses various mediums in her art including batik, acrylic, water colour and pastels.

A prolific painter like one of her idols Vincent Van Gogh, her work has been exhibited in various places such as Lingnan Museum of Art in China, Pustaka Miri and Saradise Gallery, Kuching.

She now teaches both young and old from an art center at her home.

Not content to just paint, she, together with her art students, have started a social project whereby proceeds from sales of their paintings will go to buying story books for Penan children in Ulu Baram.

Recently, KajoMag had the opportunity to learn more about the artist behind the paintings and her inspirations.
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Vaz and some of her paintings.
KajoMag: I understand that you started your journey in art as early as six years old. What do you remember about your paintings as a kid and what made you want to paint?

Mary Anne Vaz: I attended kindergarten where my teacher, a Chinese man gave me a chance to paint. I painted myself climbing a tree. Then I watched my brother paint big canvases with oil paints. I developed a style that was similar to oil painting in that I used very thick paints.

One day my dad told me, “You won a gold medal.” The concept of winning was not in my experience and I replied “ I don’t want a gold medal.” Then, it appeared on TV and in the news. It was the Queens Gold Medal. 
       
I didn’t have any art books or art teachers. All I had was paint, brushes and paper. But there was a book on the human anatomy. From there, I became interested in painting human figures. So, most of my artwork features human figures.              

I am fascinated with the hornbill dances of the Orang Ulu. Several of my paintings are on the dances, tribal attire, and everyday life of the Kelabits. I have also painted the legends of the Kelabits.

Then, I met the famous tattoo artist Ernesto Kalum. I became fascinated with his tattoos and have painted three paintings featuring him, one of them being “Warrior of Peace”.

KajoMag: How would you describe your style as an artist? Are there any painters that you particularly look up to?

Mary Anne Vaz: I am a symbolic artist. My paintings all carry deep messages. For example “ Warrior of Peace” which features Ernesto without his tattoos, without the sword, conveys the message that a leader must lay down his weapons and be vulnerable in order to lead his people to peace and face a brighter future.

I painted this after the summit between Trump and Kim Jong Un. The USA and North Korea meeting was to me a step towards disarmament. This is true courage. A warrior with no weapon is a truly brave warrior. 

I look up to several artists. The first one was Chuah Thean Teng, the Father of Batik, who showed that this traditional style of fabric painting could be fine art. I studied his techniques and created a style of contemporary batik with traditional processes.

The second one is Vincent Van Gogh. I collected books on him. He was a prolific painter and I identify with him as I am also a prolific painter.

The third one is Raphael Scott Abeng from Kuching. He inspired me as a friend and I find his paintings unique and witty social commentary.

The fourth one is Tan Wei Kheng. He is a dear friend; he stretched my first canvas and has always been supportive.

Pustaka produced an e-book on Tan Wei Kheng called Discover Sarawak and I was the researcher and writer of his art. He is also a symbolic artist; his paintings being social commentary and social documentation.

KajoMag: Are there certain places you feel most inspired to paint? If so, where?

Mary Anne Vaz: The place that most inspired me to paint was Bario. Twenty-nine years ago when my eldest son was born , my husband and I walked 12 hours through the jungle from Bario to Pa’ Mada to have the traditional name changing ceremony.

I remember the trees being tall and the floor of the jungle covered with a carpet of leaves. Later, I made a sketch of my father-in-law’s parang and its tree bark sheath.

I then painted it in contemporary batik style. It is now in the Sarawakiana collection of Pustaka Sarawak. I painted the fireplace in “Kelabit Lady” which was exhibited in China in the Lingnam Museum of Art in Foshan in October 2018. 

KajoMag: Can you name the biggest lesson you’ve learnt from being a part of the Sarawak art industry?

Mary Anne Vaz: The biggest lesson I have learned in being part of the Sarawak Art industry is that an artist must be dynamic, keep learning and growing. No doubt skills with brushes are important, but digital skills are vital to share our art and connect across nations.

Being multilingual is also important. When I went to China I prepared myself by learning to speak Mandarin.

Alta Moda Sarawak is a good example of how artists are being dynamic. Coming together to move forward. The leaders in Alta Moda Sarawak have created a bridge to tomorrow.

KajoMag: Care to share your hope for young artists in Sarawak?

Mary Anne Vaz: My art studio in Miri grooms young artists from as young as six years old. So, my hope is that parents take art seriously.

Give your child a chance to use the correct tools to paint. Give your child a good art tutor to mentor his growth. Let young artists develop their own style. I am happy that in my studio there are several young artists with very high potential.

I share my own techniques with them and encourage them to have their own vision. Parents have been very supportive in giving them time and resources to grow. What we need is more opportunities to exhibit the work of young artists.

KajoMag: Tell us more about your social project to buy books and reference books for the Penan children in Ulu Baram.

Mary Anne Vaz: My students and I started sending books to schools in Ulu Baram with the help of a friend who travels there regularly.

Each time my students sell a painting for RM50, they voluntarily donate RM10 to buy a story book. I also buy books that promote early reading such as books using phonics.

I will put about 20 books in a bag and give to my friend who takes them to the teachers there.

When I sell my paintings. I also buy some books for this purpose. I am thinking that story books are a source of joy, different from school books.
The Penan children and other children who live far from town may not have a chance to enjoy story books. Besides these, I have also bought encyclopedias for them.

About Alta Moda Sarawak

Interested viewers can catch Vaz and her works during this upcoming Alta Moda Sarawak.

To be held from March 7-9 at the old State Legislative Assembly (DUN) Building in Kuching, 24 designers and brands will be taking part in this event which aims to highlight the many colours of Sarawak’s cultures and diversities.

Check more of Vaz’s works on her website or follow her on Instagram.

The 1880 advertisement inviting Chinese settlers to Sibu

Advertising has been around since people created the written word. In this 21st century, we are constantly bombarded with advertisements, whether it’s in newspapers, websites, social media, billboards or signage.

Today’s advertisements usually sell different types of products and services.

But we at KajoMag bet that you have never seen an advertisement by a government inviting immigrants to settle in their respective regions in exchange for land and rice.

Building a kingdom

During the reign of second White Rajah, Charles Brooke, the Kingdom of Sarawak was slowly becoming politically stable.

Hence, the government started to draft development plans. One of the plans was to cultivate the land along the lower Rajang river.

In order to do so, the government needed a workforce. They had this action plan to invite Chinese immigrants to settle in the area and start cultivating.

At that time, there were already Chinese settlers in the area, but they were mainly traders and merchants.

Sibu Chinese Settlers
(Left) Sibu_Bazaar_(1900-1930) Credits: The National Archives UK headquartered in Kew, Richmond, Greater London. [Public domain].
(Right) Arrival of Chinese immigrants in 1900 at Sibu. Credits: http://www.intimes.com.my/write-html/06bau12.htm [Public domain]
So Charles put out an advertisement in the Sarawak Gazette which was printed on Nov 29, 1880:

I, Charles Brooke, Rajah make known the following terms which the Government of Sarawak hereby agrees to fulfill with any Company of Chinese who will engage to bring the Rajang River Chinese Settlers with wives and families numbering not less than three hundred souls, who will employ themselves in gardening and farming paddy or in other cultivation;-

1st – The Government will provide land sufficient for their requirements free of charge.

2nd – The Government on first starting will build them temporary houses, and make a good path to their landing place.

3rd – The Government will give them one Pasu (14.4 kg) of rice per man or woman a month and little salt and half the amount to every child for the first 12 months.

4th- The Government engage to keep upstream communication with Kuching and carry any necessaries for these settlers on the most reasonable terms.

5th – The Government will build a Police Stations near them to protect them and assist in making themselves understood in the native language and generally look after them.

6th – In carrying out the above engagements the Government expect the said will permanently settle in the territory of Sarawak.

Kuching, 11 November, 1880

Thanks to this advertisement, there were about 500 Chinese who came over to cultivate the land along the Lower Rajang area.

Later on, according to local historian Chang Pat Foh, many of them moved to Sibu area. Nonetheless, the large scale Chinese immigration did not happen until the early 20th century.

This was when the government directly sponsored the entry of three different Chinese groups: Foochows (1900), Cantonese (1901) and Henghuas (1911).

The 1859 murder of Fox and Steele in Kanowit

Murders call up the same amount of emotions – horror, fear, rage, even intrigue – whether they happened in 1859 or 2019.

One could argue that for 19th century Sarawak where headhunting was still in practice, a double homicide might not be that all interesting…unless the murder victims were two European officers.

Who were Fox and Steele?

Charles James Fox and Henry Steele were two Brooke officers stationed in a fort in Kanowit.

Fox and Steele Kanowit Bazaar
Kanowit Bazaar

Although Fox was appointed as the Resident of Rejang and Steele as the commander of the fort, the second white Rajah of Sarawak, Charles Brooke was not entirely convinced of the two’s capabilities in carrying out their jobs.

According to Cassandra Pybus in White Rajah: A Dynastic Intrigue, Fox was “an unsteady and inconsistent fellow, had come to Sarawak as a missionary and had been deflected from his calling by his desire for a dyak mistress” while Steele was “an imaginative bully who treated the dyaks with arrogant disregard”.

Meanwhile, Robert Payne in The White Rajahs of Sarawak described Fox as “brusque, efficient, easily excited”. As for Steele, he was a “former apprentice on a merchant ship, was more knowledgeable about the native ways, but hard on the Dyaks who worked under him.”

Whatever the reason, Fox and Steele were murdered on June 25, 1859.

Payne wrote that on the morning of the murder, Fox was calmly digging a trench in the garden attached to the fort.

He had been unarmed when a local, whom Payne described as ‘a Kanowit’ came out from the forest and speared him in the back. He then pitched forward into the trench that he himself dug.

At the same time, another local attacked Steele. He was about to get the upper hand in that struggle when another local came up behind him with a sword and split his head.

Fox and Steele’s heads were cut off and the murderers fled.

The alleged killers of Fox and Steele

As the Tuan Muda, Charles was furious over the deaths of his two officers. He reportedly said he had “an intense thirst and concentrated desire to seek out and bathe hands in the blood of those who had murdered our much lamented friends.”

One theory had it that Syarif Masahor, a Malay leader from Sarikei was behind the murders as he was famous then among the locals for his rebellion against the Brooke administration.

Charles – who was still the Tuan Muda at this time – also believed that Masahor was behind it, but nobody had any proof.

Nonetheless, the Brooke government managed to name two suspects; Sawing and Sekalai (Pybus added a third suspect named Talip).

In some records, it was stated that these suspects fled to their Kayan relatives at upper Rajang river. Meanwhile, local historian Jayl Langub stated that they actually took refuge at the Kejaman Longhouse. This was located at Tuju Matahap just above the confluence of Belaga and Balui rivers (tributaries of Rajang river).

Belaga 2
Belaga bazaar.
Over a hundred native lives paid for the deaths of Fox and Steele

What followed after the double homicide was something that left a dark past along the Rajang river: The Great Kayan Expedition 1863.

It is uncertain that the murders of Fox and Steele were the sole reason for the punitive expedition mainly against the Kayan people.

However, Charles did send an expedition of 1,000 Dayak people to punish the murderers as well as those who harboured them.

For the Brooke administration, the first expedition was a failure although they were well-armed. The second one led by Charles himself was successful.

According to Payne, it was Charles’ first major engagement. So, you can imagine how excited he was.

“He felt he was completely fearless, showing himself in the open. Whenever he found one of his Dyaks wounded, he would rush up to him, pour some brandy between his lips and make him get up and walk. Apparently brandy and walking were a sufficient antidote against poisoned arrows,” he wrote.

There was no exact number of casualties but it was believed over hundreds lives were lost, including women and children.

But Charles did ‘bathe his hand in the blood of the murderers’; They were sentenced to death by having their throats cut.

As for his ‘much lamented friends’, Payne stated “No one had anything good to say about Fox or Steele, and it is possible that they deserved to die.”

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